Composed by Matthew Hall.
Nightingale Sances opens with a mellophone-esque ensemble sound of 5 flugel horns,1 tenor horns and trpmbones inspired by the Manhatten Transfer version of A Nightingale Sang in Berkley Square. leading into a fast quickstep section for full band.
Solo flugel horn takes the lead into the paso-doble middle section of the piece before the original opening to A Nightingale Sang in Berkley Square becomes the main focus in the euphonium and baritone.
A big build up into the final kit-led Hollywood-style show dance section with a half tempo feel ends the work with a real thumping ending to any contest or concert performance.